[after Slop? A Meaningful Proof of Humanity]

[after Slop? A Meaningful Proof of Humanity]

AI IS MORE LIKE A HUMAN-ANIMAL RELATIONSHIP, ALMOST LIKE RIDING A POORLY TRAINED HORSE. You apply pressure on one side and it may or may not compensate on the other. You think you've fixed a problem and it has quietly broken something else. You approach it expecting the compliance of a tool and find yourself in a negotiation with something that has its own logic, its own tendencies, its own bad days.

An entire century of photographers, videographers, and image makers relentlessly honing skills and buying ever more complex digital cameras has, in a lot of cases, arrived at the same destination LLMs have reached 50 times quicker. When you can no longer tell the difference, the temptation is to conclude that the difference stops mattering. So what now?….

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[creating a 'campaign trail' for Titanium Museum's Accession I~III]

[creating a 'campaign trail' for Titanium Museum's Accession I~III]

Titanium Museum’s campaign is deliberately odd and obtuse. Our presentation to the public is intentionally unexpected and slightly otherworldly. Not only to avoid the trite campaign lifestyle stories that prevail in the fashion and eyewear industries, but also to laid down a treasure map for a puzzle that draws people into the campaign and on a real world easter egg hunt.

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   THE 2025 T-GENERATIONS CAMPAIGN “DE-GENERATIONS” I SHOT ON A SONY MAVICA MVC-FD73 (1999 MODEL, WHERE IMAGES ARE SAVED DIRECTLY ONTO 3.5" FLOPPY DISKS)... This process produces wonderfully low-resolution image quali

SHOOTING A CAMPAIGN ON A CAMERA THAT USES 3½” FLOPPY DISKS INSTEAD OF FILM.

THE 2025 T-GENERATIONS CAMPAIGN “DE-GENERATIONS” WAS SHOT ON A SONY MAVICA MVC-FD73, WHERE IMAGES ARE SAVED DIRECTLY ONTO 3.5" FLOPPY DISKS... This process produces wonderfully low-resolution image quality with unexpectedly beautiful colours. The display screen of the camera adds a texture to the images.

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